Nawazuddin Siddiqui's survivor instinct has been learnt on the streets. His hard-earned...

'The film industry will remain soft targets and continue to be picked upon with no...

He had no airs about his talent, he did not intellectualise it, he just lived and...

'2016 may have been unkind, more than other years, but we are here and we owe it to the...

'Nikkhil Advani's POW shows a director's deft touch and is a promising start of a great...

'There is a storm of unrest brewing as a younger, more educated and independent India...

'What adult citizens do in the privacy of their home, what they eat or drink or watch,...

'The Maharashtra government diktat is another meddling example in an industry where...

'If the government is really bothered about saving Indian culture, then stop the...

'Today it is a studio being held to ransom, tomorrow it will be a government, an entire...

'When a woman uses stunning sexy photo shoots to make a splash and be noticed by the...

Suparn Verma may have issues with The Expendables 3 but the joy of watching these...

In the documentary The World Before Her, a young girl has to submit to the will of her...

A hard, unrelenting film that doesn't give in to over-sentimentality, Citylights is...

'You have a chance to use this massive mandate to push through life changing reforms,...

Our generation got independence too easy, we take our freedom too lightly, we treat our...

Suparn Verma, who last directed the Bipasha Basu-starrer Aatma, reviews Gravity in a...

Suparn Verma salutes the memory of Mukul Anand, who first made Agneepath

Suparn Verma feels that the Agneepath remake has got everything going for it.

Every year gone by is an old friend, who visited us, accompanied us through the annual...