Ashakal Aayiram can be celebrated for the return to form for Jayaram, who owns every...

The fact that a major studio put out a silent film starring some of the biggest names...

Sarvam Maya banks on its leading man, Nivin Pauly, who grasps at straws and makes the...

Jeethu Joseph's Valathu Vashathe Kallan works better as an emotional drama than an...

Cheekatlo is a run-of-the-mill crime procedural, notes Arjun Menon.

Vaa Vaathiyar ends up being a bland yet fascinating iteration of a masala film...

Kalamkaval, like any good work of art, suggests more than it shows, raves Arjun Menon.

The Raja Saab is a poorly judged effort to appease to the lowest hanging fruit, and is...

Vrusshabha feels like a ChatGPT prompt gone wrong, where the lazy ask for a sure-shot...

Akhanda 2: Thandavam may appeal to Nandamuri Balakrishna's fans and will be a madcap...

Revolver Rita doesn't use its comic potential to its fullest and ends up a passable...

Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver...

Kaantha is a peculiar love letter to cinema that tries to integrate various genres and...

Mari Selvaraj delivers his most rage-filled film in years, with a superbly cast Dhruv...

Rishab Shetty's Kantara Chapter 1 is an ambitious, bold update of the ideas of the...

'Idli Kadai wears its heart on its sleeve, embracing nostalgia and roots with both...

The emotional quotient of They Call Him OG falls flat, the plotting looks jerky, and...

Mirai is an ambitious, but lazily timid visual effects overkill that squanders away...

Ghaati does not understand how to harness Anushka Shetty's electrifying screen...

Hridayapoorvam does not break any new ground or tell a story as old as time with any...