Kalamkaval, like any good work of art, suggests more than it shows, raves Arjun Menon.

Revolver Rita doesn't use its comic potential to its fullest and ends up a passable...

Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver...

Kaantha is a peculiar love letter to cinema that tries to integrate various genres and...

Mari Selvaraj delivers his most rage-filled film in years, with a superbly cast Dhruv...

Rishab Shetty's Kantara Chapter 1 is an ambitious, bold update of the ideas of the...

'Idli Kadai wears its heart on its sleeve, embracing nostalgia and roots with both...

The emotional quotient of They Call Him OG falls flat, the plotting looks jerky, and...

Mirai is an ambitious, but lazily timid visual effects overkill that squanders away...

Ghaati does not understand how to harness Anushka Shetty's electrifying screen...

Hridayapoorvam does not break any new ground or tell a story as old as time with any...

The Kalyani Priyadarshan starrer is the kind of incentive superhero origin story that...

Arjun Menon celebrates his 70th birthday on August 22 by looking at his most memorable...

Coolie is expected to be an unabashed celebration of the larger-than-life ethos of...

Vijay Sethupathi and Nithya Menen's electrifying performances hold Thalaivan Thalaivii...

Fahad Faasil and Vadivelu more than deliver the goods, but the film, as a whole, fails...

Long lost brothers, downtrodden masses, a long forgotten prophecy, and a psychotic drug...

Saiyaara ends up a bland rehash of old ideas served in an older bottle, notes Arjun Menon.

No author in the Malayalam literary canon has influenced and profoundly changed the way...

Kannappa is a bloated mess of a film that underutilises interesting story ideas,...