Harry Baweja pretends to direct; some poor scriptwriter claims it's science-fiction; Boman Irani, probably on a dare, tries to look like Albert Einstein on speed; Anu Malik pushes the limits of the word 'composer' and decides to lift the opening bars from Bond classic You Only Live Twice and call it a theme; the dialogue guy sees if he can slip some seriously subversive innuendo into the mix, with the guy saying the girl's life is like a hot dog minus the sausage; the editor completely letting it slide, himself successfully getting paid for doing nothing and leaving the film more than three hours long.

And then there's the star-kid, young Harman Baweja who tries so, so painfully hard to be the next Hrithik Roshan. Ouch.

For our part, we try to watch. And it hurts.

Also Read: Review: Love Story 2050

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