That's 11 out of 10. And I better stop, though there are many more.
I've mentioned only one Hindi film. It's not due to any snobbery. It's just because there are too, too many.
The fabulous title sequences of Teesri Manzil, Zanjeer or Chhupa Rustom, the interval point of Yaadon Ki Baaraat, Anhonee, Amir Garib, the graveyard climax of Don, Pran's introduction in Majboor, diamond heist of Sachha Jhutha, title song of Ek Se Badhkar Ek, the fascinating chemistry between Rajesh Khanna and Nanda in Ittefaq... somebody stop me!
There's a difference between stealing and getting inspired. I mean, nobody can inspire my wallet on a local train. But I can steal a line I hear from a commuter.
Also read: The best bottoms in Hollywood
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