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Which of your roles would you actually call a difficult role?

I've done Madhoshi, which was quite difficult. Rakht, to an extent, was quite different. At the time I did Raaz, I was completely new, and I thought it was difficult. Comedy is difficult, actually, very difficult.

So, No Entry was hard?

At times, yes, because the body language has to be totally all-out. And I was a very restrained kind of a person because I'd done very emotional roles or restrained roles, so it was quite difficult.

Did you think it would be such a huge hit?

Yes. I did, because we kept laughing on the sets only. I was laughing at the No Entry premiere the loudest, not because it was my film, but because I was really enjoying it. So I guess when you're making a film, you feel how good it'll turn out.

What vibes are you getting from Apaharan?

This film feels pretty positive, and I'm being honest.

Have there been instances when you haven't had the right feeling about a film?

Yeah, why not? I'm right too, most of the time [laughs]. We can only like scripts, hear them, and say 'yes'. Execution is not in our hands. So, there's only that much an actor can do. There are times when a script sounds good, but it isn't directed as well.

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