Search:



The Web

Rediff





    Home | Movies | Slide Show

< Back > < Next >  

Apparently, you trained for six months for the role?

I consider my career to be a training ground. I was already a trained dancer. In Main Madhuri Dixit Banna Chahti Hoon, I did a lot of filmi dancing.

I wanted to create a unique dance expression in Naach. When we started, I was under a lot of pressure. If my dancing didn't justify my character's philosophy in life, it would look fake. I began training without music.

What I wanted to do was to get my character Rewa's emotions into dance form without the help of music. In fact, two of the dance items were performed first, and then the music was added. I created my own rhythms through the

sounds in my head. I worked more with dancers than with choreographers because dancers go with the mood of a dance while choreographers are more bothered with the aesthetics.

The dances in Naach live up to international standards. Even the tap dancing. You know, I had learnt tap dancing for almost seven years. It's like I've been training for this role all my life!

It's a coincidence that Rewa expresses herself through dance. She could be a carpenter and would be just as passionate in her expression. She's an idealist, though that's a word, which is largely misused nowadays.

We've had films where the actress expresses herself through dance like V Shantaram's Jhanak Jhanak Payal Baje. But I have not used references. In one song, I combined tap dancing with ghungroos. It's so novel. We need to take dance back to its roots.

Dance isn't about titillation, or wanting to be sexy. Dance can express any emotion. I'm getting goosebumps just talking about it!

After Naach, I've become a better dancer and human being.

< Back > < Next >   




Article Tools Email this article
Write us a letter


Copyright © 2004 rediff.com India Limited. All Rights Reserved.