HOME | MOVIES | QUOTE MARTIAL |
October 22, 1997
BILLBOARD
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'I love Karisma's body and enthusiasm. I love Urmila's sincerity and body. I love Shilpa Shetty's figure. I like Kajol the way she is'
Yes, I do more designing for female stars because there is a lot to do. Lot of experiments in terms of shopping, jewellery -- which I love -- shoes and so many things you can do. Among the male stars, I sometimes design for Shah Rukh, who is a good friend of mine. I am also working for Ishq, but only the publicity bit for Aamir and Ajay Devgan. Which actress are you are close to? I am close to every heroine with whom I have worked with. What is the biggest compliment for a designer?
What would you like to do in future? I have lot of offers from rich consultancies, but I don't have time since I am too busy with movies. But in the future, I would love to get into costuming clients, working on people, travelling around the world, meeting different kind of people. One decade in the industry is enough. I will work for another four years. Thereafter, I plan to start my export firm.
I did not work with Juhi in Yes Boss. It was Neeta Lulla. Also, Shaheed did the dresses for Manisha in Gupt. I didn't do it, as reported in some newspapers. At that time I was in London, shooting for London. I am the busiest fashion designer in the film industry. I do all Karisma's, Urmila's and Kajol's dresses. But not all of Raveena's and Manisha's. It is not possible. Who is the most beautiful woman in the world according to you? And who best suits your dresses? Leave aside the question of the most beautiful woman in the world. But I can tell you the best one whom I have worked with -- Sridevi. I did Gumrah, Ladla, a little bit of Roop Ki Rani Choron Ka Raja, Army and Judaai. I love her professionally, I love her carriage.
What is your dream project? (Thinks) I can't comment. I am very excited to do things. I sleep only five hours a day. All the time, I only think about clothes and how to design. Kajol thinks I am mad. I don't have any dream project in mind -- at this juncture.
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