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'Saroj Khan has the link from the exciting past to the future'

How would you compare the mystical experience you had at the temple and the making of the film?

I will unabashedly say that making of the film was an extension of that experience because the cast and the crew I worked with did not dilute that experience at all.

From Lalgudi Jayaraman, I went to Madhu Ambat because I felt the Ravi Varma kind of visuals and only he could give me those. Then, I went to Saroj Khan because she had choreographed for three generations of women and she is exposed to Kathak, the dance of the Devadasis. I knew she was the one who could do it. I felt she was the only choreographer other than Raju Sundaram who has the link from the exciting past to the future.

Also read: 'I want Kandaswamy to be the biggest film of 2008'
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