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'I've done this film because of my father'

November 02, 2006
What takes you from war films to a period love story?

I went from guns to roses. I wanted to burn my experience in war films. My trilogy is not over yet. I made Border and LoC, and I see the proxy war from Pakistan is not over yet and I may make another film on that subject.

A filmmaker's job is to reflect his time1, and I have reflected that in my films -- be it the zamindari system in Ghulami, the underworld in Hathyar, or the Kargil war in LoC.

Whenever I did a film, I did it with a lot of commitment.

I did Umrao Jaan because my father (O P Dutta) always wanted to make this film. He shot it with actress Nimmi, back in 1952. He shot some four reels and then the film got shelved for some reason. He had named the film Umrao Jaan and always had the desire to make this film. Back then I was a child, learning to walk.

After so many years, he expressed a desire to make this film and therefore I did it, after reading Ruswa's book. The 19th century was a renaissance period for art and literature.

How do you relate to the subject of the film?

Like Shakespeare is to English, Ruswa is to Urdu and I've done this film because of my father and this book. The flesh trade is the oldest profession. We still look at a female as if she is just for amusement and sexual desire. We don't give her dignity and it is very sad. Even today when a girl is born, many families are not happy and that is very disturbing.

Men forget that it is only women who can give birth to a child. They have the womb. If women decide not to reproduce, this world will not exist. It is like lyricist Sahir Ludhanvi said, Aurat ne janam diya mardon ko, mardo ne use bazaar diya (Woman gave birth to man, man took her to market).

Don't miss: The Umrao Jaan special section

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