Rediff On The NeT, Movies: Madras calling


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October 13, 1998

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Madras calling

Rajitha

Manisha Koirala. Click for bigger pic!

Given the weather in Bombay, lightning is very much on my mind as I write this. And -- this is official -- lightning does strike twice in the same place. When that lightning is named Manisha, that is.

This Sunday, October 11, the Bollywood star was down in Madras for the launch pooja of Shankar's latest, Mudalvan. Which makes this her second outing in a Shankar film, having already appeared in his earlier superhit Indian, alongside Urmila Matondkar and opposite Kamal Haasan.

Manisha has a name for professionalism allied to talent, which probably explains why big name directors down south fight to repeat her in their films. Earlier, it was Mani Rathnam who couldn't seem to get enough of the leading lady, using her first in Bombay opposite Arvind Swamy, and then again in Dil Se opposite Shah Rukh Khan.

And now it is Shankar -- a director who thus far has shied away from repeating his heroines.

Or heroes, for that matter -- but for this one, Shankar has gone back to Arjun (Sreenivasa Sarja R Ashok Babu, to use his given name), who starred in the director's debut vehicle, Gentleman (opposite Madhu). Interesting choice, Arjun having recently had a big hit with Thai Manikodi, which saw him paired him with Tabu.

As usual with a Shankar film, the cream of Tamil cinema landed up for the pooja -- and at the end of the function, left knowing nothing much about the project, Shankar being notoriously close-mouthed when it comes to talking of under production films. Given the title, though, it seems more than probable that this film, like Kaadhalan before it, could have a political underpinning.

Shankar had three hits in a row with Gentleman, Kaadhalan and Indian, so there was some speculation that the relative failure of Jeans -- if you can call it a failure, that is; word from the industry is that it did very well in Tamil Nadu, and attained superhit status in Andhra Pradesh -- would have jolted his confidence a shade.

Not a chance -- in fact, the director's confidence in himself is reflected in the fact that this time, he will produce his own film. Which, given the fact that Shankar's directorial style is lavish to say the least, could involve a considerable outlay.

Working with Shankar on his latest are talents of the order of A R Rahman (music), Vairamuthu (lyrics), Venky (special FX) and K V Anand (cinematography).

This makes the first time Anand -- 'KV', as he is known down south -- will team with Shankar, who had used Jeeva for his first three films, and Ashok Kumar for Jeans. KV, of course, was the guy who won a national award on debut for the Priyadarshan-helmed Thenmavin Kombathu. And while on the Priyan-KV team, Bombay will shortly see the two of them in tandem, when Doli Sajake Rakhna hits the marquee.

The film stars Nagma's (heroine, incidentally, opposite Prabhu Deva in Shankar's Kaadalan) sister Jyothika opposite Akshaye Khanna, and is a remake of the Malayalam superhit directed by Fazil, Aniyathipravu -- the film that brought back, in adult avtaar the erstwhile child superstar Shalini.

Fazil remade the same film, as Kadhalukku Mariyadhai in Tamil with the same heroine, paired with Vijay, and, predictably, scored another superhit. Be interesting to see if Priyan, who, along with Fazil, rank among the top run directors down south, can helm the Hindi version to the kind of success at the turnstiles that the Malayalam and Tamil versions enjoyed.

In passing -- a face to watch out for when the Hindi version hits the marquee is Innocent -- the durable comedian/character actor of Malayalam cinema, who plays the same role he essayed in the Malayalam version. Which reminds me of this story, dating back a few years when Innocent was relatively new to the screen, when a group of scribes cornered him on a set and asked him why his name was 'Innocent' (which, incidentally, is his real life name, Innocent Vincent).

The actor, with the deadest of pans, told them: "See, when I was born, my father took one look at me and decided that I had the face of a thief. So he kept my name 'Innocent', so that later in life, when I am arrested and brought to court and the judge asks me, 'Are you innocent?', I can say on oath, 'Yes, your honour, I am Innocent!' "

The scribes took a while, on that occasion, to realise that their legs were being subtly pulled.

Love through the lens

Harking back to the earlier item on Shankar, and his Jeans cameraman Ashok Kumar.

Who, as we mentioned in this column earlier, is now busy directing Kama, a story with an erotic underpinning, being scripted by Randor Guy (familiar to TN denizens as a writer of short stories and, more to the point, of a serialised history of the city that used to appear in various periodicals).

Starring in it are three new faces -- two girls, one guy. Asha Mehra, Sunila and Vishal, in that order.

And out of that menage, it is Vishal's name that stands out -- simply because he is the son of none other than Ashok Kumar himself.

Raises a thought -- the shooting of this film must be, well, different to say the least. In a country where parents are notoriously reluctant to discuss the birds and bees with their offspring, here we have a father directing his son in an erotic film and, what is more, handling the camera as well.

We live, apparently, in enlightened times.

And, in the wings, Balachandra Menon...

And while on big stars taking to the small screen, here's one more for the list -- Balachandra Menon, winner of this year's national award for acting (co-winner, that is, with Suresh Gopi, another Malayalam screen biggie), will shortly be appearing in a talk show.

Karyam Nissaram, Prasnam Gurutharam -- that's what the serial is going to be called. A reprise of the Sivaji 'coincidence', here -- Karyam Nissaram and Prasnam Gurutharam are two films of the light, frothy family genre that first shot Menon into prominence.

The format is light, chatty, humourous -- all Menon trademarks.

The talk show will appear on Surya TV -- the new venture being launched by Sun TV, the Madras-based television channel that holds an Indian record, with an estimated 95% audience penetration in Tamil Nadu. The channel is due to be launched on October 19, Diwali day.

?

Down south, producers and directors have been experimenting with innovative themes for a while now. Of late, though, they appear to be stretching the boundaries of innovation.

That Fazil did a little number, coming up with two different endings for his Mammootty-Mohanlal starrer Harikrishnas is, of course, the stuff of recent history.

It is now the turn of Chakravarthy to stretch the envelope. The bearded star of the recent Ramgopal Verma superhit, Satya, has directed -- and starred in -- a film with no name.

On the marquee, the movie will be identified merely with a '?' mark.

"A title creates preconceptions in the audience," explains Chakravarthy. "I want people to see my film with a completely open mind -- they can give it their own titles after they see it."

Now there's a turnout for the books, if you like....

Cyclone warnings

Chiranjeevi. Click for bigger pic!

And, to round off, one on Chiranjeevi.

We'd talked earlier of the Tamil practice of tacking on sobriquets to stars -- amend that, it is a trait that is shared by the Telugus as well.

Chiranjeevi, for instance, is known as 'Cyclone' Chiranjeevi, down in AP -- so named, apparently, for the consistent way in which he storms the box office.

Said cyclone, these last couple of years, had been reduced to a gentle breeze, as a series of flops took the wind out of Chiranjeevi's sails. However, of late, he has bounced back with four back to back hits, and 'Cyclone' warnings are once again being hoisted atop Andhra theatres.

His latest, Bavagaru Bagunara, has completed 100 days at 54 centres, and completes a hat-trick of hits for the enduring superstar. The film is also the third highest grosser in the annals of Telugu cinema, after Peddarayudu and Osey Ramulamma.

He could be winding up for another big one, with Sneham Kosam -- the Telugu remake of Narppukaga, a Tamil film that proved a superhit for Sharat Kumar. The Tamil film, incidentally, was written by Jyoti Krishna, the teenage son of A M Rathnam, the producer with a yen for making megabudget movies like Shankar's Indian.

The climactic scene apparently occurred to the lad while he was writing a school exam. Like we said, the climax -- and in fact, the whole film -- went over big with the audience, though we aren't sure if the boy was as successful in the exam he was supposed to be writing.

Must have been, I guess, because his mother told me the other day that her boy is now in London for higher studies -- in a subject unrelated, apparently, to films.

Tell us what you think of this feature

Madras calling

Ash goes south again

?

Cyclone warnings