Whether it’s a prehistoric time or modern, the parent-child equation hardly alters.
At least that’s what DreamWorks’ latest animation in 3D would like you to believe. Only director duo Kirk DeMicco and Chris Sanders go about this conjecture with such ardent faith and endearing whimsy, you don’t really mull over authenticity.
Just like Merida defies Elinor in Brave and Hiccups sneaks behind Stoick’s back in How To Train Your Dragon, Stone Age teen Eep (Emma Stone) is all for disobeying her super cautious father, Grug (Nicholas Cage) and his long list of rules.
It’s the same old dispute -- a curious teenager and his/her fascination for the new and unknown while the parent’s refusal to let go or embrace change.
Though The Croods doesn’t have the visual delicacy or detailing of the aforementioned films, it does sufficiently well in shifting from grim landscapes to vibrant colours while putting up a constant spectacle of imaginative fauna and creative creature mash-ups, akin to a low-budget Avatar.
Don’t get me wrong, The Croods isn’t substandard animation. On the contrary, some of its wizardry, justifying the effort to wear those burdensome 3D glasses, is spellbinding and immersive -- whether its the embers blowing in graceful slow motion or minute specks of dust imbuing the atmosphere after a seismic outburst or dandelions dispersing their seeds.
Except that the makers could have played a lot more adventurously with the imagery of its figmental history.
But The Croods would rather concentrate on the wonderment of discovery. As the overprotective head of his feisty, spunky family -- Ugga (Catherine Keener), the kind, understanding wife, Gran (Cloris Leachman), his quirky mother-in-law whom he quite openly waits to die, Thunk (Clark Duke), the dim-witted, chubby son, Sandy (Randy Thom), the hyper, hungry baby and Eep, the rebellious teen daughter -- Grug likes to believe he’s in charge with his bizarre tricks, brutal bedtime stories, which oppose anything that’s not routine and a staunch motto -- Never Not Be Afraid.
Despite the stiffness of his conduct, there is no scarcity of exuberance in The Croods. Both he and his spirited kin approach hunting
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