It was bound to happen.
At some point, a canny producer was sure to realise that all that matters in the kind of movies Salman Khan does nowadays is Salman Khan.
After looking at, for example, Bodyguard or Ready -- hideous, tacky eyesores that nonetheless rule the charts -- it was only a matter of time before he'd see little need for an expensive, credit-hogging middleman and chuck this "director" fellow out.
Blasphemous, I know, but with films like this, it's hard to argue.
I remember a Mithun Chakraborty interview many moons ago where the actor -- speaking of his heartland-conquering B-movies -- described a continuity error, a fight scene where he was wearing a red shirt in one shot and a blue shirt the next.
The director asked Chakraborty to reshoot but he laughed off the idea, saying it should be released as it was, and that his audience bothered only about him, not trifles like that.
He was right, the film was a hit, and, alarmingly enough, our biggest blockbusters today seem to run on the same principles. Especially those that star Salman.
It is a pleasant surprise, thus, to see producer Sajid Nadiadwala taking his directorial debut seriously, making sure every part of the engine is slickly oiled.
The loopy script coasts along breezily, Ayananka Bose's cinematography is lush (and frequently more artful than you expect from a Salman project), the girls are considerably attractive, and -- perhaps most importantly -- the film smartly avoids the self-serious drivel that can ruin a shamelessly silly action film. (Case in point, the ponderous Dhoom 3, Kick, in one line, is basically Dhoom done right. But more on that later.)
The plot is threadbare enough to not matter.
Shaina, a psychiatrist narcissistic enough to wear her name on a chain and depressive enough to turn 'sex' into 'sorrow' while playing Scrabble, is lamenting the loss of her lover.
She tells her new suitor, a cop, about her ex, a guy called Devi Lal who did anything for kicks. (Including, presumably, always refer to them in the singular.) Devi quirkily won her over, but things soured and he dumped her, and she's oh so heartbroken.
The cop, Himanshu, tells Shaina he can empathise, because he too has someone in his life: a masked master-thief he just can't get a hold of. (Ahem.)
No points for guessing the man of their dreams is the same. Salman Khan doesn't often bother to act these days, swaggering through most of his parts without any consistency, yet he seems to be playing this Devi/L properly and in character, perhaps freed by the insouciance of the anything-goes role.
Even in weak scenes, his screen presence is extraordinary. He's clearly having
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