They always look forward to working together, never mind how much pressure each is facing. "With Sukhvinder, I can compose a tune in less than an hour and record it even quicker," says Rahman, with a hearty chuckle. "We have a very good understanding, a rare kind of understanding."
The exuberant Chaiyya Chaiyya was the highlight of the Andrew Lloyd Webber-produced musical Bombay Dreams that ran for over a year and a half in London and for 8 months on Broadway, New York, a few years ago.
Last year, director Spike Lee used the original and remix version of the phenomenal hit at the opening and closing credits of his The Inside Man. About 30 million people saw the film worldwide.
The song has to be part of Rahman's stage repertoire. "I cannot think of a live show of mine without it," Rahman says. "Even if I don't include it in the show, I am sure the audiences will make sure that we include it."
"I am convinced he is the most consummate composer that I know of in the world," she says. "And though some people may think of his work as ephemeral, many of his compositions are going to be around for a very long time. His music comes from the characters and is an extension of them. I think he is the best .He is the most brilliant film composer in India today and is in such demand that he has altered his normal working day to begin at six in the evening and go through the night, so that he can compose undisturbed by producers' calls. He finds the character's sur, raag, rhythm... Reggae, folk, classical, he's got it on his finger tips. He's so cinema-literate. He can discuss Ingmar Bergman's Autumn Sonata and Subhash Ghai's Taal, all in one breath."
Though Rahman works mostly at night, he does make concessions. "When I recorded the song with Bappi Lahiri for Guru, we got it done during the day," he says. "Bappi flew in from Kolkata in the morning, and a few hours later, he was ready to fly back home."
'Rahman is known to record only during the night time,' she said in an interview 2 Versatile drummer Sivamani who performed for Rahman at the June 16 concert in New York has known the 41-year-old singer and composer for about three decades.
'Our association began when we both were really young,' he recalled in an interview not long ago. 'We had this band called Roots. We just make very good music together. He is a master of lai [melody] and taal [beat]. The recognition that I enjoy today is because of Rahman. There are so many talented people behind a film music score. I played for Illayaraja for very long, but my name never figured on the screen or the cassette cover. Rahman changed it all. He gives credit to every single member of his team for whatever part they play, big or small. That makes him really special. People came to know about me only because of him. I thank him for that."
Sadhana Sargam, one of the singers Rahman respects most and who has sung haunting tunes for him in Water and Earth, has said: 'When Rahman calls, you go without asking questions because you know it's going to be worth it. He's a reserved person and talks very little but he makes you give your best. He keeps Chitra, who accompanies Rahman in the current concert tour along with Hariharan, Sadhana Sargam, and Sukhvinder Singh, among other singers, says that when Rahman plays a composition to her, she listens very carefully.
"I have known since I sang my first song for him in Roja, over a decade ago, there are layers and layers to his tune. Even a tune that may sound very catchy at the beginning has its own complex nature. And that makes working with him even more challenging. And what I love in him most is that he is very modern, but he also deeply respects tradition."
Photographs: Paresh Gandhi
When Rahman took over New York
What others say about Rahman
Rahman talks about Sivaji