Just ask his co-stars.
"He is eccentric and difficult. But that's what makes him even more interesting," says Milan Luthria, who directed Nana in this Friday's release, Taxi No 9 2 11.
"Ramesh (Sippy) and I were once invited to Nana's house, and he had cooked a fabulous meal for us. I still remember the taste of the Maharashtrian Mutton Curry that he had prepared for us. I can't remember when I had eaten so much last!" the director adds.
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"But he would get a dabba (lunch box) from home. He told us that his mother prepares it for him. Once I had brought Poha for everyone on the sets, and his smart assistant kept the dabba," Sonali adds, smiling.
Jokes apart, she is all praise for Nana. "He is an amazing actor to work with if you know how to handle him tactfully. There is a lot I have learnt from him on the sets. He and Milan made sure we did in-depth rehearsals before the shots. That made all the difference. Sometimes one gets a little nervous in front of him, but that's just an initial phase."
"Even after he gained popularity, Nana's lifestyle did not change," Jhulka says about the man who confessed on his blog that he goes back to his village after the completion of a film.
"He would still meet his old friends at a bar in Mahim (a middle class Mumbai locality). He would bring his mother at some film shoots, and put part of his paycheque in the Prime Minister's (Relief) Fund. And he hasn't changed much," she adds.
Patekar, 55, has played a wide variety of roles -- from underworld don to a deaf and dumb father. And Taxi No 9 2 11 sees him take on another challenging persona.
"Nana Patekar's role is that of a short-tempered, cynical man. But Raghu Shastri (the name of Patekar's character) is also a caustic and instinctively witty cabbie who meets Jai Mittal (John Abraham). Raghu does not care for society's rules. The chemistry that Nana and John share in the movie is worth watching," Luthria says.