One of them, a grizzled old veteran with a Tagorey beard called Ghosh Babu, is asked by his companion why on earth he's languishing in prison despite getting so many international awards. Ghosh sighs and explains that he was accused of siding with the Naxals and thrown into prison, and that 'when the Government gives rewards like this, it doesn't look at awards.'
As that little vignette on Dr Binayak Sen illustrates, it's this harebrained topicality-as-gimmick approach that mars most of the director's efforts, trying to cash in on everything he reads in the papers. Sorry, everything everyone's read in the papers.
So a wealthy upstart inside for a hit-and-run casually mentioning he mowed down six people (not four, not seven) on the road isn't a coincidence. Honestly, by now, Madhur should really dispense with the obligatory 'all characters and events are fictional' disclaimer at the front of his films.
And for our part we really should stop treating them
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