On the opening night of the South Asian International Film Festival at the School of the Visual Arts Theater in Manhattan’s Chelsea neighborhood, SAIFF Founder and President Shilen Amin choked up as he addressed the crowd.
He was rightfully emotional as he reflected on a decade of running the festival in New York.
‘I felt it was my generational responsibility to do something for artists in this space and represent what it means to be South Asian,’ he said.
The week brought 15 films to the big screen, coupled with cocktail receptions and after parties at Manhattan hotspots.
Galen Rosenthal, SAIFF’s programme director, lead many of the post-screening question and answer sessions, which provided in-depth conversations about the background of the films and the inspiration of the people behind the final products.
The screenings at the fest included an eclectic mix of films, like Ankhon Dekhi, Siddharth, Good Morning Karachi, Anima State, and Quissa; shorts Khoon LTD, Outpost, Tau Seru, Neighbours, First Sight and Kush.
Bengali filmmaker Q’s Tasher Desh was also to be screened at the festival, but as a last minute surprise Q unveiled his latest documentary Sari.
The festival closed with The Good Road, India’s official entry to the Oscars. The jurors at the Awards gala certainly had their work cut out considering the options in the running.
The material was diverse and yet consistently sophisticated, Amin noted. Themes ranged from gender politics in Quissa and Good Morning Karachi to class differences in The Good Road, gang violence in Monsoon Shootout to vampire youth struggles in Khoon LTD he said.
After the festival ended, Amin told rediff.com that he had feelings of withdrawal after seven days of ‘craziness.’
He said when
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