Behind every murder there is a method, motive and mystery. Leave out one and you won't really get anywhere. Put it all together and you know who did it. The theory of crime and guilt, however, is hardly explored in director Rohit Shetty's comic thriller,
Sunday.
Instead, the suspense flick, inspired from Telugu's
Anukokunda Oka Roj, goes about finding missing clues with the same vacuum and puzzlement as faced by its key player Sehar Thapar (Ayesha Takia).
Sehar is an absent-minded dubbing artist for animation films who, after a strong dose of rophynol, wakes up to find one Sunday gone missing from her life. Thereafter, she's addressed as
'bhoot' by a taxi driver-struggling actor (Arshad Warsi, Irrfan Khan) duo while a bunch of unkempt goonies make multiple attempts on her life.
While the obvious 'whos' and 'hows' pop in the viewers' head, cornetto-chomping bribe-philic cop Rajveer (Ajay Devgan) and sidekick (Mukesh Tiwari) make a dude-level entry into the picture, cashing a blonde-haired drug peddler through the roofs and terrace of Masjid Lane dwellings.
The implausible pieces and protagonists are somehow interlinked to each other courtesy two dead persons found in connection.
More whos, whats and hows lead to an utterly depressing and lame climax for which Shetty simply cannot be pardoned. I mean the entire movie is an exercise in building up a mind-boggling suspense. So how do you explain an incentive as lousy as what it eventually turns out.
Another flaw worth nitpicking over is the muddling of genres -- comedy (something Shetty is quite comfortable with) and thriller, which struggle to do a balancing act in the dijointed scheme of going-ons. One minute Arshad Warsi is Circuit turned cabbie shot in the butt. Another he's a miserable,
bechara types lamenting over his kidney ailment and shortage of funds. Warsi plays the self-created stereotyped of a fast-talking, wise-cracking jolly street smart fella with expected fluency.
Then there's an underutilised but brilliant Irrfan Khan (doing a hilarious take off on Ravana, Dracula, SRK's
Don and Himesh Reshammiya), Rajnikant-inspired Chuckie Chan (Vrajesh Hirjee) and
Salaam-E-Ishq discovery Anjana Sukhani slipping into the heroine's
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best friend mode. While Irrfan Khan stands out simply because he is a fabulous actor, others are simply time-consuming props in this plot-less parade, high on homosexuality jokes and low on intrigue.