Is it the stereotypes exotic India in the strands of saffron, the yellow hues of turmeric or the fiery bite of a chilli? Is it Aishwarya Rai pensively simpering, beseeching 'her' spices to 'talk'? Is it the range of incoherent, empty-headed characters, like the one essayed by Padma Lakshmi, who looks unexpectedly hideous? Could it be Dylan McDermott, trying to look oh-so-hot but ending up laughably insipid? Or is it just the fact that Paul Mayeda Berges, in all his wisdom, has faithfully translated Chitra Banerjee Divakaruni's passable book into an indigestible film?
One could keep adding to this list, but let's resist that temptation.
Those who read the book either loved it or hated it. Because Divakaruni's overwrought prose, with its undertones of magic realism, evokes either appreciation or loathing. The film though, goes one step further in being utterly awful.
Rai plays Tilo, who acquired powers of divination as a girl and, through vaguely believable twists of fate, finds herself washed ashore on what seems like a part of Kerala. There, the First Mother, played by prima donna Zora Sehgal, holds forth on the magic of spices and teaches a group of young girls how to use them to help others, in various cities across the world. Warning her not to step out of the store, not to use the spices for her own desires and never to touch the skin of anyone else, Sehgal packs Tilo off to San Francisco.
Ash: I want to do action films
There, in the picture-pretty Spice Bazaar, Tilo hands out packets of cloves, pepper and sesame to Haroon, a Kashmiri cabbie, Dadaji, a culture-shocked grandfather (played by a bored Anupam Kher) and sundry others, including a token African-American. She whispers their attributes -- garlic as an aphrodisiac, asafoetida as an antidote to love, cinnamon for friendship and so on. Some work, some don't, but no one's complaining.
And so the story progresses, ridden with accidents and a coy moment of love-making, until Tilo's destiny unfolds itself, in the most predictable manner.
What's most unfortunate about the film is its earnestness. Berges and his wife, Gurinder Chadha, the acclaimed director of Bend It Like Beckham, seem to have put their hearts and souls into it. Sadly, they fall short in almost every aspect.
The story is so tedious it makes ants crawl through your brain. Situations begin to play themselves out and are cut short. Dialogues are so terrible you are torn between tears and hysterical laughter. Especially when Tilo whispers, 'talk to me, spices' or 'why are you warning me, chilli'. The soundtrack is a mish-mash of what could vaguely pass as fusion music, with a token Bally Sagoo composition.
Mistess Of Spices' flaws are particularly disappointing because one would expect so much more from a partnership with Chadha, who has made evocative, touching and thoroughly enjoyable films in the past. Well, let's forget Bride & Prejudice for now. It's also particularly disappointing because, despite all its flaws, the basic plot of Divakaruni's book may just have been redeemed with an intelligent, sensitive and imaginative adaptation. It just may have.
Ah, and the worst thing about it may just be that it could lead you to harbour a deep, dark disdain for your own hapless spice cabinet. Be warned, the whispers of cinnamon and power of pepper are more irritating than you may have imagined.
Rediff rating: