Amidst the many millennial changes, star power continued to be the pivot. The first month of the first year of the new millennium hoisted a neophyte actor Hrithik Roshan to superstardom when his debut film Kaho Naa... Pyaar Hai hit the box office jackpot in January 2000. Hrithik's 'knee-buckling Elvis Presley good looks' (senior actress Rekha's description), his cartilage-defying dance moves, and his ability to project an endearing earnestness unleashed an unprecedented hysteria amongst young fans.
A questionable choice of films thereafter threatened to eclipse Hrithik's starlight, but his filmmaker father Rakesh Roshan has deftly orchestrated his return to the centre stage with Koi... Mil Gaya. Playing an autistic Simple Simon whose close encounters with an alien lead to the flowering of his inner strength, Hrithik etched a piquant portrait of innocence under siege.
|
Shah Rukh may have hit a speed bump when his own production Phir Bhi Dil Hai Hindustani failed to make it to the winner's post at around the same time when Kaho Naa... Pyaar Hai was storming the theatres. However, with Mohabbatein, Kabhi Khushi Kabhie Gham, Devdas, and Kal Ho Naa Ho the actor reaffirmed that he was the most bankable star.
The triumph of Lagaan put Aamir Khan in an exclusive league of his own. Sunny Deol's blockbuster Gadar and a string of good performances from Ajay Devgan (The Legend of Bhagat Singh, Company, Gangaajal) ensured their enduring prominence even as the spotlight shone brightly on charismatic newcomers like Vivek Oberoi. Aishwarya Rai and Kareena Kapoor were in the vanguard amongst the heroines after Devdas and Mujhe Kucch Kehna Hai.
This latest shift in Hindi cinema reflects its inherent nature. For all its seeming homogeneity, it is constantly evolving, morphing and mutating. And the saga of Hindi films remains, as ever, endlessly fascinating.
Printed with permission from the author. Indian Cinema: The Bollywood Saga, by Dinesh Raheja and Jitendra Kothari. Published by Roli Books, Rs 1,975. Pages 155