MOVIES

The ugly face of Bombay

By Sreehari Nair
August 26, 2003

I was witness to one of the black marks in the history of Bombay, oops Mumbai.

The movie Bombay remains my favourite film when it comes to showcasing Mumbai on the big screen. Directed by Mani Ratnam, Bombay touched the nerve of the Mumbaiite.

Released in 1995, exactly three years after the bloody riots and the serial bomb blasts that spilled fear across the city, Bombay had its share of controversies. The so-called Hindutva brigade were busy renaming Bombay as Mumbai then, and wanted to rename the movie Mumbai. The movie next landed in controversy because of its bold theme.

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The story revolves around a Hindu boy (Arvind Swamy) and a Muslim girl (Manisha Koirala) who fall in love, decide to leave their village and go to Mumbai.

The twist comes when a riot erupts between the Hindus and Muslims. The best part of the movie is when Arvind's father, who has come to visit his son and daughter-in-law, takes one of his grandchildren to a temple nearby. On their way back, a group of Muslim youths stop them.

Meanwhile, the child who is now perched on his grandfather's shoulders, rubs out the bhasm (ash) that he has applied on his forehead to escape the attackers.

Manisha Koirala is convincing as a Muslim girl and deserves all the applause she received. Arvind Swamy also plays the role of his lifetime. The thrilling part of the film begins when the boys go missing and the riots are shown through excellent camerawork by Santosh Sivan. 

The music composed by A R Rahman is superb, especially Humma humma and Kuchi kuchi rakamma. Even the Bombay theme that plays in the background while the two actors walk past the dead bodies in a mortuary looking for their sons raises goose pimples.

Tears are sure to flow down one's cheek at least for Mumbaikars. Truly a wonderful movie.

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Sreehari Nair

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